Comics Journal #126

Non-Key

Fantagraphics ⋅ 1990

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Key Facts

Non-Key Issue. No additional information is available.

Issue Details

Publisher

Fantagraphics

Writer

Rick Marschall

Writer

Rob Rodi

Writer

Gil Kane

Writer

C. C. Beck

Writer

Heidi MacDonald

Writer

Harvey Pekar

Writer

Robert Boyd

Writer

Bhob Stewart

Writer

Kenneth Smith

Writer

R.C. Harvey

Writer

Frank Stack

Writer

Bill Sherman

Writer

Carter Scholtz

Writer

Leonard Rifas

Writer

R. Fiore

Writer

Dale Luciano

Writer

Gary Groth

Cover Artist

Gilbert Hernandez

Cover Artist

Jaime Hernandez

Published

January 1990

Synopsis

Editorial Harlan Ellison Run Amok: Gary Groth examines the inaccuracies, falsification and fatuousness in Ellison's Plaboy article on comics. News Newswatch: Marvel sold; Comico to be distributed by DC; Lone Star stirs controversy; and more. Letters Blood & Thunder: Scott Bieser answers his critics; plus comments on Feiffer, Breathed, Steven Grant and Kenneth Smith. Criticism   Funnybook Roulette: R. Fiore is back with a vengeance reviewing Plastic Man , Li'l Abner, the John Lennon movie (!) , and Stay Awake record while getting in a few licks at Batman fans, the Comics Buyer's Guide , DC Comics, and our great statesman. Bigot-Bashing: Rob Rodi focuses  on the art and politics of Strip AIDS USA and AARGH asking what's the benefit of benefit books. Pekar and Realism: Leon Hunt delves into the discourse about America Splendor. The Case of the Argentine Exiles: Frank Stack follows the trail of displacement in Joe's Bar, Sinner, Deep City and Ana. Interview Jamie, Gilbert and Mario Hernandez: A discussion in four chapters that begins with the roots of Love & Rockets , proceeds to a study of technique, and closes with some of the most demanding opinions about the comics filed you're likely to faind all year. Features Pioneer Pillages and Plunders the Past: Andrew Dailies goes after all the product pushers who feel a need to **** with things, from the profiteers colorizing old movies to the meddlers re-recording Charlie Parker, and specifically the cut and paste team at Pioneer comics. Sketchbook: Drawins imported from Milan by Joe's Bar and Sinner artist Jose Munoz. Columns Opening Shots: Kenneth Smion on Harlan Ellison's "Magical Egotism." Shut of Olympus: "Skipping the Ideal for the Real" by Gil Kane.

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